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the intention of ameliorating ties between the graphic designers
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Neshan 25
 
   


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Handmade: Immortality of Poetry and Thought

Before the advent of hardware and software in all aspects of human life, which are now indispensable, all professions and means of communication were based on rules of physics and chemistry executed by human hands upon the order by the brain. Before the twentieth century theories introduced language as the source of human evolution, Darwin's theory considered the mutation to humanity as rooted in handling instruments. This idea is still hard to disregard. During this growth of human hands and brain and years after the great invention by Gutenberg and together with the expansion of urban life and communication, one hundred and some years ago a profession called graphics emerged and its colorful presence has been (more in the past) dependent on handmade tools. Besides the handy tools on work desk, photography cameras and dark room equipment and lithography might have been the cause, however distant, to trigger the designer's thought giving him the power to choose. The handmade graphic tools of designers found their ways into museums to be classified as classics. While trying not to unreasonably discard new tools, why do we keep getting agitated by seeing or hearing about the past works? Which nerve in us is still so reactive to immortal works of music, literature, painting, sculpture, cinema and theater that makes our hearts pound and our minds transform? Is it the inside forces of the artist embodied in the work and the direct touch of the earthly tools of the birth and invariable presence of the mind-boggling repetitive incident of that infinite absent force in an earthly shape? Isn't it high time contemporary works made by photography, film, music and graphics through software found their way into museums? Can't we put their immortality into vote? Is it the increasing tendency to variety which has made the lifespan of works of art so short? Or is it the hasty development of production-consumption cycle which makes thing outmoded so rapidly? Poetry is still the purest of human arts which is created by a pen and some paper or if not, by the marks of a stick on sand or if not, by the flow of language into ears. We had better forget about tools after having learned how to use them. We have got to unshackle ourselves from the yoke of tools. We ought to free the varicolored butterfly of thought from the dark cocoon of brain in order to see the return of joy into this world.
 

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The Collective Design for Azad Art Gallery
Azad Art Gallery has been the vanguard of Iranian art in recent years. This gallery possesses a bold and uncompromising view which is its landmark.

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Antoine and Manuel: Decoration and Beauty
Antoine Audiau and Manuel Warows set up their studio in 1993. Antoine had just completed a course of fashion design ...

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Face to Face: Yuri Gulitov
Russian Preludes

I must confess that until the invitational exhibition of the 5th Color's Self-Portrait in 2004, except some posters....

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Face to Face: Paula Scher
Painting Maps

Few Iranian designers have never heard of Paula Scher. In addition to her poster exhibition in the Tehran Museum of Contemporary Art...

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My Mentor: Brad Holland
In 1968 Brad Holland became my first and only mentor – I was just 17 and he was 24 – and his most important lessons focused on the ethics of making art...

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Or[d]igami or how I learnt to fold information!
Origami is the art of folding paper. Since its emergence in Japan in 17th century AD, Origami has been classified as a decorative art form. However, by mid 19th century....

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